|
Sunday, 17 November 1996
8:00-9:30am
The first meeting of SEEMP took place during the 28th Annual
Convention of the American Association for the Advancement
of Slavic Studies at the Boston Park Plaza Hotel.
1. Introductions
Allan Urbanic brought the meeting to order and introduced
SEEMP's newly elected Executive Committee:
Allan Urbanic, Chairman (University of California Berkeley)
Marlys Rudeen, CRL Microform Projects and Preservation Coordinator
June Pachuta Farris, Secretary (University of Chicago)
Karen Rondestvedt, AAASS Bibliography & Documentation
Committee representative (University of Pittsburgh)
Abby Smith, Library of Congress representative
Wojciech Zalewski, Member-at-Large (Stanford University)
Nadia Zilper, Member-at-Larger (University of North Carolina)
2. Financial Report
Marlys Rudeen distributed SEEMP's financial statement as
of November 17, 1996, and gave an explanation of each entry.
To date, SEEMP has 27 members and an annual membership fee
of $600.00 per member.
Major categories of the financial report include:
Revenues (membership fees, other fees, CRL seed money,
sales)
Expenses (for materials and non-material expenses such as
travel, cataloging, etc. CRL does not charge area studies
projects for copy cataloging and the fee for original cataloging
is currently $13.00 per hour.)
Commitments (Materials "on order/funds encumbered"
and "materials approved/funds committed").
Fund balances are carried over from year to year.
3. Project Proposals
In general, all proposals received by the Executive Committee
during the previous year are reviewed and discussed at the
annual meeting, then voted upon and prioritized by the membership.
However, although several ideas for projects have been suggested,
no formal proposals have yet been received. For example,
Alan Pollard (University of Michigan) suggested that SEEMP
attempt to film and/or purchase one newspaper from every
region of the Russian Federation and from each of the independent
states of the former Soviet Union.
There followed a lengthy discussion of various kinds of
proposals, the format of proposals and the procedures for
their submission. The problems and advantages of purchasing
already existing film versus original filming were discussed,
as well as filming which can be done by CRL or other SEEMP
member institutions versus filming on site in Eastern Europe
or the former Soviet Union. Norman Ross (Norman Ross Publishing)
spoke briefly about various filming projects of his company
already underway in regional libraries and also mentioned
filming projects now being undertaken by the Vserossiiskaia
gos. biblioteka inostrannoi literatury (Moscow), now a regional
preservation center for IFLA. Galina Kislovskaia, BIL's
Deputy Director, is spearheading BIL's efforts to become
a full-blown micrographic unit; she is currently in charge
of their cooperative preservation microfilming project with
the Library of Congress. Abby Smith noted that in the future,
we may be able to commission BIL to do selected filming
projects for SEEMP. She also suggested that we consider
inviting the newly-formed Russian Library Association (for
which Kislovskaia is heading their committee on preservation)
to become an associate member of SEEMP.
Marlys Rudeen noted that SEEMP has as broad a scope as
possible in the kinds of projects it can consider, whereas
individual institutional members of CRL can only petition
CRL to purchase already existing microform, but cannot petition
CRL to pay for original filming. Categories for projects
are not limited to serial publications, but can include
any type of material or unique collection. She encouraged
SEEMP members to compile desiderata lists of titles they
would like to have filmed from material they have "donated"
to CRL. Likewise, proposals can be made requesting that
SEEMP provide archival-quality film from unique film holdings
that need preservation. The question each member should
ask is "What is in my collections that needs to be
filmed?"
Alan Pollard spoke briefly on the need to preserve the
many short-lived independent Russian publications of the
early 1990's.
Luba Pendzey (University of Toronto) spoke briefly about
several collections of unique Ukrainian materials at her
institution which were in need of preservation and likely
candidates for proposals.
Robert Davis (New York Public Library) suggested that filming
unique material in private collections may also provide
projects for SEEMP.
Abby Smith, through her experience with Library of Congress
filming projects, noted that when filming is done abroad,
particularly in Eastern Europe and the former Soviet Union,
issues such as quality control become much more complex
and problematical. Marlys Rudeen concurred, encouraging
the membership to begin with projects based on collections
and materials in North American institutions.
The question of whether SEEMP should focus on acquisitions
projects or preservation projects was then discussed, with
the membership concluding that there was no need to give
priority to one kind of project or the other--both are equally
suitable components.
Regarding the format of proposals, no one format or special
application form is required. Proposals should be as complete
as possible, with cost estimates for filming, purchase,
etc. Marlys Rudeen can be contacted for guidelines to determine
costs of original filming and copy filming, cataloging,
etc.
June Farris noted that some clarification of procedure
seemed to be needed, in that it is not the function of the
Executive Committee to actually write the proposals based
upon suggestions and ideas brought up by the membership.
Each individual member or group of members is responsible
for submitting a proposal for any project they choose. The
Executive Committee will review and carry the project to
completion once it has been approved by the full membership
of SEEMP.
Janet Crayne (University of Michigan) suggested that a
later, one-time deadline be designated, in order to give
members further opportunity to submit proposals during this
fiscal year. June Farris suggested March 1, 1997, as a deadline.
After a brief discussion, the deadline of March 1, 1997,
was accepted.
4. SEEMP Website
Marlys Rudeen announced that as part of the CRL Home Page
on the World Wide Web, each of the various area studies
filming projects, including SEEMP, will have its own webpage.
On it will be a list of members, the Executive Committee,
minutes of its meetings, various other reports, a list of
projects and their status, any guides that are compiled
for individual projects and any other information useful
to the project's membership.
5. Meeting Schedule
The next meeting of SEEMP will take place in conjunction
with the 29th Annual Convention of AAASS, which will take
place in Seattle, Washington, November 20-23, 1997. As SEEMP
chairman, Allan Urbanic will be responsible for scheduling
the SEEMP meeting with AAASS, and will try to get a day
and time that is not in conflict with other library and
archive related panels or the meetings of the Bibliography
and Documentation Committee and its various subcommittees.
This may prove to be difficult, if not impossible, given
the number of panels, roundtables and meetings in which
SEEMP members participate.
6. Other
In the time remaining, further discussion on a variety
of issues continued.
There was discussion and need of clarification on the "members
abroad/associate members" category. These will be non-voting
members who receive the minutes, lists of projects, etc.,
but who cannot submit independent proposals to SEEMP.
Another topic of discussion centered around the possibilities
for expanding the base of available project funds beyond
that of just membership fees. This is primarily done through
grants from outside agencies. Marianna Tax Choldin (University
of Illinois) noted that grant proposals in which associate
member institutions are participants might increase the
probability of receiving outside funding. Marlys Rudeen
is responsible for coordinating any grant proposals submitted
by SEEMP, since CRL is the legal entity behind any SEEMP
project.
Miranda Beaven Remnek (University of Minnesota) asked about
guidelines for the treatment of materials being filmed (materials
returned to owner, discarded, etc.). Marlys Rudeen noted
that none of the other area studies filming projects have
general guidelines, but develop specific guidelines for
each individual project undertaken.
There was also some discussion about the filming of manuscripts.
As stated in the SEEMP by-laws, SEEMP keeps the negative
film plus one copy; the institution holding the manuscript
receives one film copy and the return of the original manuscript.
When filming serial titles, filming can be done on incomplete
holdings.
After a reminder of the March 1, 1997 deadline, the meeting
was adjourned at 9:30am.
Respectfully submitted, June Pachuta Farris Secretary.
SEEMP Executive Committee
|